By David Weir
In terms of James Joyce's landmark paintings, Ulysses , the effect of 3 literary giants, Homer, Shakespeare, and Dante, can't be ignored. analyzing Joyce by way of Homeric narrative, Dantesque constitution, and Shakespearean plot, Weir rediscovers Joyce's novel in the course of the lens of his well known predecessors.
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Additional resources for Ulysses Explained: How Homer, Dante, and Shakespeare Inform Joyce’s Modernist Vision
334ff 4 f). Having gone through these metamorphoses and others, all of which are really metaphors comparing the dog’s behavior to that of other animals, the protean creature can only be called back to reality by a simile comparing the animal to itself: “He stopped, [. 349–50). Here Homeric action, in this case Menelaus’s struggle to hold on to the god Proteus through his many transformations, forms the basis for stylistic experimentation. Such experimentation will be repeated in most of the later chapters (beginning with chapter 10), all of which supplement correspondences of character and action with styles inspired by some element of the Homeric narrative.
Icarus. Pater, aitt [Father, he cries]. 952–54). 199), but he is also reflecting on his present failures as an artist and on his inability to convince his intellectual auditors in the library of the truth of his Shakespeare theory. That theory proposes that Shakespeare experienced a crisis of manhood when, in Stephen’s telling, he was seduced by Ann Hathaway: “If others have their will Ann hath a way. By cock, she was to blame. She put the comehither on him, sweet and twentysix. 256–60). This experience, Stephen holds, has so unmanned Shakespeare that he can never be certain of or satisfied with biological paternity and seeks satisfaction in artistic “paternity” instead.
Like Odysseus, whose epithet is polytroposs (lit. 3 Homer’s Odysseyy has come down to us as a volume of 24 books and 3 parts: the Telemachia (books 1–4); the Odyssey proper (5–12); and the Nostos, or homecoming (13–24). The 18 chapters of Ulyssess are likewise divided into a Telemachia (chapters 1–3), an Odyssey (4–15), and a Nostos (16–18). This structural comparison suggests that any attempt to read James Joyce’s Ulyssess as a modern Odysseyy is doomed 18 Ulysses Explained from the start. Homer’s Nostos is half the epic, whereas Joyce’s is about a fifth of the novel.