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By Arnold Henry Savage Landor

Arnold Henry Savage Landor' memoirs of his excursion to unknown South the US and his come across with the local Bororo Indians. initially written in volumes, this e-book comprises illustrations, maps, plates and images

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Murnau’s literary inspiration was derived from the works of English and American writers. ”30 Flaherty and Murnau soon fell out, however, and Murnau was left to make the film on his own. Moana would be Flaherty’s only South Seas picture. Murnau had been fascinated by Flaherty’s stories of his earlier trip to Samoa, particularly his reports of the sacredness of the village virgin, or taupou, and the punishment that would befall any man who dared break the tabu. This became Murnau’s narrative hook.

Long-held fantasies about the South Seas were often reinforced by first glimpses of a Pacific island. Wartime fictional depictions of the South Pacific perpetuated myths associated with individuals’ first sightings of South Seas islands. In Lost Island, George Dodd’s first glimpse of a South Seas island is both pure escapism and life transforming: To a man inland bred as I was, there is something almost incredible in the first sight of a coral island, particularly such a one as this, far out in the Pacific, thousands of miles from the nearest continent.

9 More commonly, however, servicemen enjoyed their Pacific voyage, which was as close as most would ever come to realizing long-held dreams to travel overseas in an era when international holidays or pleasure cruises remained the domain of a wealthy minority. The opportunity for servicemen to spend time above deck and enjoy the physical beauty of the South Seas reflected a long-held tourist practice, and servicemen penned detailed descriptions of their trans-Pacific journeys. ”10 Master Sergeant John Brown, from New York State, was equally enchanted with his Pacific crossing.

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